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The flagship of Lincoln Center's Programming, under the leadership of Nigel Redden, Lincoln Center Festival was an annual international festival of large-format, multidisciplinary performances using the venues of Lincoln Center.
Over its 20+ year run, Festival premiered over 130 works and presented artists from every corner of the world. Festival '17 featured 46 performances from 20 artists working in Dance, Theater, Film and Music. Highlights included a 50th Anniversary staging of Balanchine's Jewels, danced by Paris Opera Ballet, New York City Ballet and the Bolshoi Ballet as well as a commissioned project with Improbable Theatre, performances by Cie XY and the US premiere of the Bolshoi's Taming of the Shrew.
As a member of Festival's 4-person executive producing team, I was responsible for the hiring and management of ~125 seasonal designers/production staff and ~200 union stagehands as well as negotiating complex labor CBA and direct oversight of ~$6m in annual budget. Also included in my portfolio was the long-term development, iterative budgeting and project management required to move ideas from pre-conception to performances.
Photos (from top to bottom)
-Taming of the Shrew, Bolshoi Ballet
Photo: Stephanie Berger
-Carlinhos Brown
Photo: Kevin Yatarola
-Taming of the Shrew, Bolshoi Ballet
Photo: Stephanie Berger
-Jewels, NYCB/Bolshoi/Paris Opera Ballet
Photo: Stephanie Berger
-Opening Skinner's Box, Improbable
Photo: Stephanie Berger
-Jewels, NYCB/Bolshoi/Paris Opera Ballet
Photo: Stephanie Berger
-Carlinhos Brown
Photo: Kevin Yatarola
This contract, initiated by WMAA Owner’s Reps Gardiner and Theobald and managed directly by WMAA, covered multiple scope areas. The bulk of the contract covered the procurement, delivery and installation of $1.2m of owner-supplied gallery lighting and of $500k of owner-supplied theatrical lighting, the initial fit out of both the theater and film auditoriums, interim Theater Management to provide structure during commissioning and the design of repertory lighting plots in both the Theater and Film auditoriums.
Owner - Whitney Museum of American Art
Architect - Renzo Piano of Renzo Piano Building Workshop
Owner’s Representation - Gardiner and Theobald
Museum Lighting Design - Matt Franks of Arup Engineers
Theater Consulting - Steve Rust of Theatre Projects Consultants
Auditorium photos courtesy of WMAA
Geared towards Family audiences, New Victory's programming is international and complex in scope. Over the 16 years I was Director of Production, 200+ companies appeared at the Victory, in the Duke on 42nd Street and in the Studios. Highlights include US premieres of Complicite's Lionboy, Cirque Eloize's Rain, Kneehigh's Rapunzel and multiple appearances by Circus Oz, the Young Vic Theatre and the Royal Opera.